Like Yesterday is a collaboration between myself and my sister. It has been an ongoing project that only came to life when I started seeing the change in my now not so little sister. Unknown to us both this project really kicked off in the early stages of my first year. And was only in final year this project gained both body and speed. Through this we have worked it into a transformation that so many young women go through and I have been lucky enough to photograph this beautiful young girl grow into this now young women.
This was the first image of mine I chose to put on Instagram, I wanted to see how my work would be received. And I loved this image from the moment I took it. So I thought I have classmates who put their work on social media why can’t I! This piece to me wasn’t what you see on Instagram all the time so for that reason I thought I’d risk it. And I got a lot of likes not hundreds but enough to put confidence in to my work, I even got a good handful of additional followers which was nice. Felt my Instagram was getting a little more out there!
I think adding work my work to my Instagram did encourage me a bit more to go for it with my work. And that people want to see what I am doing or else why follow my page. It did give me confidence I desperately needed, I am the first one to admit I am often defeatist about my work and am the first one to pick faults. So doing this both got my work noticed and inspired me to be confident in the work I had created.
I want to look at the issues I had in my last shoot. As looking at the images I found some rather entertaining ones.
We had such a job with these balloon and bubbles, from trying to throw them just enough with out a hand entering the photo or just her face being taken over by one. We did have so much fun doing this shoot. With a lot of me telling my friend who was assisting to throw the balloons this way and that like you can control a balloon. To my sister getting a mouthful of bubbles and mid shot spitting out bubbles.
There was also the placement of the light, we had this sort of halo of colour and because my sister is quite tall I kept capturing the light in the back. Or she would hit her head of it when stepping to far back. As fun as we thought this shoot would be and it was fun! The nightmare with balloons falling not enough or in the wrong places and mouth full of bubbles while more pop on the lens! It really did have it’s laughs and I came away with some of my favourite shots.
Because my last shoot didn’t go as well as planned, I have decided to to another I did not want to have to shoot again. But this shoot I have decided I want to use it to add more images to my final photo book.
But this time I wanna change up the way I photograph her ideal side. Instead of the more body focused voyeuristic style to it, I wanna brighten the colours and do a genuinely pretty shoot. I want to make this shoot more fun and will be including props in this one as I haven’t done before in this project. I want to see if I can incorporate a fun side to the ideal, but only use a maximum of three images in the final edit.
I don’t feel anymore would work and am unsure if the last shoot will fit into the narrative I am trying to make. But either way I think if the shoot goes how I want to then I would like to use them as a final print for my work exhibition. I still want to be able to show her in a way that isn’t over sexualised, more beauty shots and vibrant colours.
This work looks at the behind the scenes at all varieties of pageants, he has collected work from all around to create this book. It is almost his the good, the bad and the ugly. He shows us the world we hear so much about but don’t really see as much as we think we do. From the tears to the backstage horrors.
He shows us the world of vanity and backwards morals an opinions. But leads it into the alternative pageants, the best lady boy or drag queen!
So focusing on the whole book and looking at every one’s different definitions of idealistic beauty, he shows how everyone’s ideals are different from others. He wanted a well rounded view on this world of glam and glitz in all it’s forms.
We live in a world that is based on who looks best, and pageants are an extension of that. He has captured this idea of beauty in it’s most exaggerated form and how women strive to be Miss Universe for example. But why is it we only ever pay attention to the big end pageants, why do all the others get so ignored. And he shows all sides of it he doesn’t want any of them going unnoticed.
Looking into travelling performers, this book has it all. From different cultures to different generations. He doesn’t just document one type he wants to show all aspects of their lives. The side we never see.
He uses a simple set up in his photo book, with both black and white images and colour. He doesn’t bleed his images across the whole page, but likes to show as much of them and lets them fill as much as the page with simple titles that tell us who is in the image or where they are.
His work shows the real life side that we never consider. There is no stereotypical images that cloud your judgement, if you didn’t read his description at the start it would take you a while to understand what you were looking at. I find that could be a good tactic there is so much surrounding this that people judge and categorise the people living that life. Which takes away the focus from the work so leaving it minimalist means they look at the raw work not filled with description.
This guy has gone and photographed the youth of an Irish town, he has mixed both portraits and spontaneous encounters and collaborative performances. His photo book is simple and to the point.
He has found a stereotypical council estate style town. That has fallen down and the youth seem to be caught up in this. He mainly looks at the kids- adolescents they seem to mimic a trend that follows on from their parents, with a very 90’s vibe to both the style and location.
He has been selective in what he shows, but not selective in how he shoots. He talks about his spontaneous encounters and to me this makes the work better. He has captured them in the most natural way, he hasn’t forced the encounter or for them to perform for the camera. Even his collaborative work they have chosen how they want to be photographed it is their decision so not a forced performance they are giving him.
After my recent tutorial my project has been thrown out. And now am left confused as to what my project is really about now. My tutor after seeing my work for many months and knowing what it is about decided he did not like what the work was about anymore.
The idea of who she was, who she wants to be and who she really is now isn’t the basis for the work. But rather now I am to play with the ideas of too many photos of Jess like capturing her in every way. Or break it down into images she both likes and hates and then ones I like and hate. Which to me is going to get repetitive as we have very similar taste in the images.
So going to my second tutorial with my other tutor I spoke about the problems I was having. And had narrowed down my Images with approximately 5 images from shoots I have done so far. This brought my images down to 64.. Not the ideal amount. And then to be told to get rid of half of them again.
To me I feel like I am wasting my images, which I know isn’t the case as even I would not want to look at a 400 page edit. That would be mad, I just realise I have to be critical and get rid of images that won’t help me in anyway. Just because I like the image does not mean it will fit into the sequence.
My latest shoot did not go quiet as planned. If I try not to criticize my work too much I believe I set my expectations very high after my previous shoot. I have ended up with a lot more to think about than I thought I originally would.
From being to critical I had dismissed the whole shoot, that is until my tutorial and then looked through the images a lot more without adding to much attachment to them. And I found there was actually work I can use after all. Though in my next post I will talk about the recommended project re-write I have been told to take much to my disapproval!
It has been interesting to think about why Jess doesn’t like the work for her reasons and why I wasn’t feeling it for mine. But I think it goes back to it was not looking how we expect to see it on social media. The work we have been producing looks like things you see from fashion style companies or celebrity photo shoots. And because of this I believe that is the reason we didn’t connect with this work as well as with previous shoots.
Ideally this was planned as my last shoot. As it has worked out it will not be, having looked through the work and now knowing there is gonna be shift in the key themes. I have decided to do one final shoot in the coming weeks. Only once I have worked out the parameters for this new change that is going on in this project.
At a first glance these images leave a lot to question. But after looking more into this photographer I found out this project isn’t an odd twin situation. These situations never happened. She has photographer herself and overlaid them on film.
“These photographs reconstruct the private relationships that I have experienced personally, witnessed in public, or watched on television. The events portrayed in these photographs look believable, yet have never occurred.”
They make you think about identity and the many sides that come with this, it’s almost the good vs bad side in a way. The way the images look, like one copy of herself is a caring one while the overlay is the cared for. Because of the first look to these images they can be seen to be almost dark themed. Too quickly we judge what we see although we can not explain what we see.
It is interesting though how she has