This work looks at the behind the scenes at all varieties of pageants, he has collected work from all around to create this book. It is almost his the good, the bad and the ugly. He shows us the world we hear so much about but don’t really see as much as we think we do. From the tears to the backstage horrors.
He shows us the world of vanity and backwards morals an opinions. But leads it into the alternative pageants, the best lady boy or drag queen!
So focusing on the whole book and looking at every one’s different definitions of idealistic beauty, he shows how everyone’s ideals are different from others. He wanted a well rounded view on this world of glam and glitz in all it’s forms.
We live in a world that is based on who looks best, and pageants are an extension of that. He has captured this idea of beauty in it’s most exaggerated form and how women strive to be Miss Universe for example. But why is it we only ever pay attention to the big end pageants, why do all the others get so ignored. And he shows all sides of it he doesn’t want any of them going unnoticed.
After my recent tutorial my project has been thrown out. And now am left confused as to what my project is really about now. My tutor after seeing my work for many months and knowing what it is about decided he did not like what the work was about anymore.
The idea of who she was, who she wants to be and who she really is now isn’t the basis for the work. But rather now I am to play with the ideas of too many photos of Jess like capturing her in every way. Or break it down into images she both likes and hates and then ones I like and hate. Which to me is going to get repetitive as we have very similar taste in the images.
So going to my second tutorial with my other tutor I spoke about the problems I was having. And had narrowed down my Images with approximately 5 images from shoots I have done so far. This brought my images down to 64.. Not the ideal amount. And then to be told to get rid of half of them again.
To me I feel like I am wasting my images, which I know isn’t the case as even I would not want to look at a 400 page edit. That would be mad, I just realise I have to be critical and get rid of images that won’t help me in anyway. Just because I like the image does not mean it will fit into the sequence.
Taken from my set up for the studio. It took quiet a while to get the coloured tones I wanted to come through at the right levels. We had a fair few technical problems. One light would flash as another would not. Which would cancel out the other colour. In the end with this we had to go down to one light with two coloured gels on it.
Overall we managed to make the shoot work with no melded gels! And it had some great photos as an outcome!
In this next shoot we experimented with high key fashion ideas. Taken from a mood board created by my sister in preparation for this shoot. We wanted to look at something more vibrant and different from what we have done so far. This stays with the idealistic theme and adds more variety to the work.
These also not yet edited show the raw image that will soon be altered to match with the ideal version of who Jess wants to be. Which for my research will show the progression of who she wants to be in comparison to who she is in my other work.
All these images will slowly get selected down to create my final photo book and 3 main prints for my exhibition. I want the idealistic images to all be unique and vibrant. Just so you know what is beyond the ordinary and without the same realistic quality as the location style shots. I want to make her stand out in a unique way without any certain narrative to this section, just her in almost an individual identity with each studio shot in a new way that has her in one idealistic way in one way or another.