I want to look at the issues I had in my last shoot. As looking at the images I found some rather entertaining ones.
We had such a job with these balloon and bubbles, from trying to throw them just enough with out a hand entering the photo or just her face being taken over by one. We did have so much fun doing this shoot. With a lot of me telling my friend who was assisting to throw the balloons this way and that like you can control a balloon. To my sister getting a mouthful of bubbles and mid shot spitting out bubbles.
There was also the placement of the light, we had this sort of halo of colour and because my sister is quite tall I kept capturing the light in the back. Or she would hit her head of it when stepping to far back. As fun as we thought this shoot would be and it was fun! The nightmare with balloons falling not enough or in the wrong places and mouth full of bubbles while more pop on the lens! It really did have it’s laughs and I came away with some of my favourite shots.
After thinking I had done my final shoot I quickly realised that I had not. The shoot had not turned out how I planned, it just felt like a total disaster to me. I did have work I could use but I didn’t end on a note that I wanted too. So me and Jess decided we would fit another final shoot in!! Much to our amusement to have a final final shoot!
Before hand for some reason I was so nervous about this final part, I have in last few days started to realise that my degree is really coming to an end. So I was sad to see this particular session come to an end. Jess has grown so much in the time I have been shooting her, and we ended on a fun bright shoot in which she looked stunning.
Because of my worry over the shoot I thought it was best to make it as fun and light as possible. This work after all is turning into a celebration of the person we see growing in front of us.
I have used a lot of colour this year with her, but one thing I have not done is include props or gone bright. All the images have been almost voyeuristic in both pose and colour I found. So I though some light was needed to round it all off.
We used various things to get this look in the shoot:
- Coloured gels
- excellent bubble blowing skills
- Not enough blue tac
- And A Jess…
W used a simple set up on of light on the back with a coloured gel on and then a beauty box on her. And because of some worry about printing these later in a good format we used the Nikon D800. I did not want anything to complicated just simple beautiful portrait with some light fun colours.
And I believe I got exactly what I asked for. I think this was a fun shoot to finish on and has wrapped up the work for Jess. She has done her part now in this project and now I need to bring it all together to finish this project for her.
Because my last shoot didn’t go as well as planned, I have decided to to another I did not want to have to shoot again. But this shoot I have decided I want to use it to add more images to my final photo book.
But this time I wanna change up the way I photograph her ideal side. Instead of the more body focused voyeuristic style to it, I wanna brighten the colours and do a genuinely pretty shoot. I want to make this shoot more fun and will be including props in this one as I haven’t done before in this project. I want to see if I can incorporate a fun side to the ideal, but only use a maximum of three images in the final edit.
I don’t feel anymore would work and am unsure if the last shoot will fit into the narrative I am trying to make. But either way I think if the shoot goes how I want to then I would like to use them as a final print for my work exhibition. I still want to be able to show her in a way that isn’t over sexualised, more beauty shots and vibrant colours.
After my recent tutorial my project has been thrown out. And now am left confused as to what my project is really about now. My tutor after seeing my work for many months and knowing what it is about decided he did not like what the work was about anymore.
The idea of who she was, who she wants to be and who she really is now isn’t the basis for the work. But rather now I am to play with the ideas of too many photos of Jess like capturing her in every way. Or break it down into images she both likes and hates and then ones I like and hate. Which to me is going to get repetitive as we have very similar taste in the images.
So going to my second tutorial with my other tutor I spoke about the problems I was having. And had narrowed down my Images with approximately 5 images from shoots I have done so far. This brought my images down to 64.. Not the ideal amount. And then to be told to get rid of half of them again.
To me I feel like I am wasting my images, which I know isn’t the case as even I would not want to look at a 400 page edit. That would be mad, I just realise I have to be critical and get rid of images that won’t help me in anyway. Just because I like the image does not mean it will fit into the sequence.
My latest shoot did not go quiet as planned. If I try not to criticize my work too much I believe I set my expectations very high after my previous shoot. I have ended up with a lot more to think about than I thought I originally would.
From being to critical I had dismissed the whole shoot, that is until my tutorial and then looked through the images a lot more without adding to much attachment to them. And I found there was actually work I can use after all. Though in my next post I will talk about the recommended project re-write I have been told to take much to my disapproval!
It has been interesting to think about why Jess doesn’t like the work for her reasons and why I wasn’t feeling it for mine. But I think it goes back to it was not looking how we expect to see it on social media. The work we have been producing looks like things you see from fashion style companies or celebrity photo shoots. And because of this I believe that is the reason we didn’t connect with this work as well as with previous shoots.
Ideally this was planned as my last shoot. As it has worked out it will not be, having looked through the work and now knowing there is gonna be shift in the key themes. I have decided to do one final shoot in the coming weeks. Only once I have worked out the parameters for this new change that is going on in this project.
I looked at this photographer as his work isn’t that well known but he has created some interesting portraits all in a very abstract way. They are quite surreal and have the look of work done by Salvador Dali in his paintings and photographs. He has distorted the body so it looks fake and like a mannequin.
I wanted to look at this photographer to see how people distort the body and represent it in many different ways. Although I haven’t done any work to match this I found it interesting to look into. He has clever use of color in comparison the the black and white which makes his images so much more bold and interesting to look at.
It has a retro sort of feel to it, with the pin-up girl style to the female models. Like the image of all the heads, it creates the idea that all women are the same. And detachable but it relates to the work that women are a kept commodity. He makes the women look plastic and false.
audrey hepburn 1952 – by erwin blumenfeld. Scanned by Frederic. Reworked by Nick & jane for Dr. Macro’s High Quality Movie Scans website: http://www.doctormacro.com
I like her interesting use of empty spaces. I feel this was clearly a room post exhibition or decorating. It makes you wonder why it has been left in this way. If it is intentional or just how she discovered the room and wanted to use it as is. The images also have an eerie quality to them the abandonment vibe to them.
I looked at her work as like me she has work on empty places that create their own story like some of my images have tried to do. She keeps all her images very light and open. She doesn’t create the feeling of confinement, again her images are very clinical with very minimal harsh colors.