One thing third year comes with besides the worry of the dreaded dissertation and final project/ exams is what’s next?! All you get asked is what are you doing when you graduate?
Honest answer- celebrating!! Usual answer- not a clue!! What they want us to say- I have it all mapped out and here’s the diagram to prove it!!
As nice as it would be to have no student over draft, a job and perfect house to move into.. truth is it doesn’t happen for many. My mum has been asking for months so what you doing and my answer if moving back in hasn’t been her ideal answer. It was only recently that I managed to get out of one dead end job and land a good one!! Is it anything to do with my degree well.. no it really isn’t. But is it pretty much a graduate job I say yes.
BUT all that aside what is really the perfect answer to the big question of what next… Personally I don’t want to think about what is next. My main concern has been and will be till my deadline is how am I gonna fit all this work in before it is due to a passable quality!! That really should be the answer, when I have a clue we will answer the question.
The idea of what do we do next is terrifying, I mean we joke about it amongst ourselves but really anyone who says they have it 110% together is totally lying to themselves and everyone around them haha. Like no one can tell you anything that will chill you out, recently my partner tried the cliche one chapter ends another begins and we talk about all the stuff we want to happen in the future. Which does occasionally calm you down when you think about all the stuff you can go on and do.
We eventually work out even a draft plan and idea of it can get you through, but it is really like how you’ve got through the past 3 years just wing it and hope for the best!!
This work looks at the behind the scenes at all varieties of pageants, he has collected work from all around to create this book. It is almost his the good, the bad and the ugly. He shows us the world we hear so much about but don’t really see as much as we think we do. From the tears to the backstage horrors.
He shows us the world of vanity and backwards morals an opinions. But leads it into the alternative pageants, the best lady boy or drag queen!
So focusing on the whole book and looking at every one’s different definitions of idealistic beauty, he shows how everyone’s ideals are different from others. He wanted a well rounded view on this world of glam and glitz in all it’s forms.
We live in a world that is based on who looks best, and pageants are an extension of that. He has captured this idea of beauty in it’s most exaggerated form and how women strive to be Miss Universe for example. But why is it we only ever pay attention to the big end pageants, why do all the others get so ignored. And he shows all sides of it he doesn’t want any of them going unnoticed.
This guy has gone and photographed the youth of an Irish town, he has mixed both portraits and spontaneous encounters and collaborative performances. His photo book is simple and to the point.
He has found a stereotypical council estate style town. That has fallen down and the youth seem to be caught up in this. He mainly looks at the kids- adolescents they seem to mimic a trend that follows on from their parents, with a very 90’s vibe to both the style and location.
He has been selective in what he shows, but not selective in how he shoots. He talks about his spontaneous encounters and to me this makes the work better. He has captured them in the most natural way, he hasn’t forced the encounter or for them to perform for the camera. Even his collaborative work they have chosen how they want to be photographed it is their decision so not a forced performance they are giving him.
After my recent tutorial my project has been thrown out. And now am left confused as to what my project is really about now. My tutor after seeing my work for many months and knowing what it is about decided he did not like what the work was about anymore.
The idea of who she was, who she wants to be and who she really is now isn’t the basis for the work. But rather now I am to play with the ideas of too many photos of Jess like capturing her in every way. Or break it down into images she both likes and hates and then ones I like and hate. Which to me is going to get repetitive as we have very similar taste in the images.
So going to my second tutorial with my other tutor I spoke about the problems I was having. And had narrowed down my Images with approximately 5 images from shoots I have done so far. This brought my images down to 64.. Not the ideal amount. And then to be told to get rid of half of them again.
To me I feel like I am wasting my images, which I know isn’t the case as even I would not want to look at a 400 page edit. That would be mad, I just realise I have to be critical and get rid of images that won’t help me in anyway. Just because I like the image does not mean it will fit into the sequence.
My latest shoot did not go quiet as planned. If I try not to criticize my work too much I believe I set my expectations very high after my previous shoot. I have ended up with a lot more to think about than I thought I originally would.
From being to critical I had dismissed the whole shoot, that is until my tutorial and then looked through the images a lot more without adding to much attachment to them. And I found there was actually work I can use after all. Though in my next post I will talk about the recommended project re-write I have been told to take much to my disapproval!
It has been interesting to think about why Jess doesn’t like the work for her reasons and why I wasn’t feeling it for mine. But I think it goes back to it was not looking how we expect to see it on social media. The work we have been producing looks like things you see from fashion style companies or celebrity photo shoots. And because of this I believe that is the reason we didn’t connect with this work as well as with previous shoots.
Ideally this was planned as my last shoot. As it has worked out it will not be, having looked through the work and now knowing there is gonna be shift in the key themes. I have decided to do one final shoot in the coming weeks. Only once I have worked out the parameters for this new change that is going on in this project.
I looked at this photographer as his work isn’t that well known but he has created some interesting portraits all in a very abstract way. They are quite surreal and have the look of work done by Salvador Dali in his paintings and photographs. He has distorted the body so it looks fake and like a mannequin.
I wanted to look at this photographer to see how people distort the body and represent it in many different ways. Although I haven’t done any work to match this I found it interesting to look into. He has clever use of color in comparison the the black and white which makes his images so much more bold and interesting to look at.
It has a retro sort of feel to it, with the pin-up girl style to the female models. Like the image of all the heads, it creates the idea that all women are the same. And detachable but it relates to the work that women are a kept commodity. He makes the women look plastic and false.
audrey hepburn 1952 – by erwin blumenfeld. Scanned by Frederic. Reworked by Nick & jane for Dr. Macro’s High Quality Movie Scans website: http://www.doctormacro.com
I have looked at this photographer because like me he has done the more everyday stuff. His work however I find a lot brighter and more set up than mine. All the colours are a lot more calming to look at. The fact he has staged the work with models in makes me feel like he is trying to add a narrative.
I like how he has carefully placed the models in his work in such a way that I want to start guessing the story I feel unfolding in the images. Yet the work almost feels clinical to a certain degree, just the framing of the images nothing feels to cluttered but almost perfectly set up.
Which is a total opposite to my work I find. As my work has no set up images. I take the photographs in the moment when I think they look right. And because of beautiful British weather my work is often dark or in a slightly cluttered family home. Both his still life and portrait work I find have a surreal quality to them, whereas mine stay as ordinary to daily life as they can.